SHELTER IN PLACE

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The world is entangled in battle
and finally united: eye-level shelves
are empty, television is on nonstop, we
can’t hug. Every check-out station
is guarded like a salad bar. Our cash
and bags are held with gloves.
Our brains are jammed, stuck
in a whirling wind of images:
On a stanchioned city block,
masked people huddle outside
the hospital. A stern newscaster terms
the troubles. I can’t turn him off.
I’d rather listen while I think alone
in the quiet. Quiet now is less unsettling
than the sounds of a family walking
the dog along the neighbors’ fence,
the neighbors’ dog barking,
a freed-from-winter revving engine,
laughter. Aren’t we to self-contain?
Aren’t we to shelter? Aren’t we
going to be okay? A rising politician
warns and soothes us: Our closeness
makes us vulnerable. But our closeness
is what makes us special, connected,
human, community. I return a call
from last week, back in time to an old
world of planning to plant trees
at my new home, investing. I hardly
expect an answer — is landscaping
essential? — but the design is ready:
My backyard with a few more trees,
more privacy — an idea I’ve guarded
my whole life now changed
by infection and loneliness, by distance,
by density. Just weeks ago, I thought
broadly of the trees as screen —
from walkers, joggers, cyclists, car
passengers — A silver lining, now,
to think more intricately, to foresee
the branches, bark, flowers, leaves.

 
-Laura Scheffler Morgan 3/27/20

 

 

DECIDING WHAT TO MAKE FOR DINNER

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DECIDING WHAT TO MAKE FOR DINNER

The olive oil warms,
spreading light then receding
into a black-bright border,
a continent, into rivers,
into one river. Now
I hardly know what the oil
is for. Garlic, usually,
but tonight, what then?
I’m absorbed in the world
of the pan, a world within
me, imagined geography.
This time, a country hill.
English, overgrown, citric
fluorescence against dooming
midday dark — a memory.
I was sixteen; I’ve lived three
decades, many lives, since.
How does a place retain
such inhabitance? I have
vastly changed; I’ve stayed
the same. Still, in my sunlit
kitchen, in the middle
of Missouri, the Midwest,
America, over an ocean
away, as I weave a wooden
spoon-oar through warmed
oil — as I decide how to feed
myself — this scene some form
of me didn’t leave is what I see.
I’m not there — but I am
more than anything is. Subtle
or extreme, now I’ll play
the Atmosphere, Weather.
What happens next is everything.

 
-Laura Scheffler Morgan, 6-14-19 – 7/25/19

LET WILD BE WILD

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This afternoon, I heard a loud Smump! and saw a bird shudder away from the glass porch door, land abruptly, then stop moving, settled in an un-bird-like position. The bird’s eyes were squeezed closed, the way I’ve seen a dead bird’s eyes.

I’d already seen two dead birds on the patio, presumably also from flying into the door. While difficult to see them, and move and bury them in the garden, at least I hadn’t seen them die. Today I saw this bird flying in the sunshine, then, right in front of me, die.

Although of course I didn’t know this bird, I was immediately stopped.

Expecting a lawn mowing crew this afternoon, I resolved that if after the mowers left, the bird was still on the edge of the patio, inches away from the grass, I’d do what was needed. I started to walk away but thought again. Outside, I approached the bird. What I’d in my initial shock thought of as a male sparrow I realized was a female house finch, maybe a juvenile.

She was small, still. I quietly but with much optimism asked her to please get up. I sweet-talked her, knowing the talk was as much for me as any creature, aware that, healthy, she could be startled by my proximity and sound. But maybe that’s what she needed. After a few minutes, I left her.

My kitten Chili relaxed on the kitchen floor just behind the patio door. He seemed to sense something in front of him of interest. He stayed in his spot in the sun. I started to walk away. Instead, I talked to the bird through the screen part of the door. No, this isn’t right. I need to let what’s happening alone. When I looked back one more time, her head was turned.

Part of the dying process. She’s succumbing to gravity.

But what if she’s just stunned?

It was an irrational, irresponsible, thoughtless thought. It was going to assure I’d see her wake up, be irreparably injured, suffer, and die. I should leave her. She turned her head, facing me. Her eyes were partly open. Then they were all the way open. I could see sunlight. She started to blink. She wasn’t, I’m sure, but it appeared she was looking at me.

Thinking maybe it would startle her into some impossible mobility, I again approached her. She stayed put, blinking. I battled optimism and realism, realism and optimism, back and forth, punch for punch, willing her on but admonishing myself for what I was forcing. This will not end the way I want.

But what if I’m wrong? What if I’m right? I returned to the kitchen, Chili still watching the scene. He normally makes punctuated eh! eh!eh!eh! eh! sounds when watching birds, but since this bird was still, Chili was silent. This was unfortunate, but it’s a common occurrence.

She lifted slightly off the ground; I could see space between the patio and her tail. She tried to move further, farther, but stuck.

Now I’ve really done the worst.

She is suffering.

Should I take her to a veterinarian? The vet will tell me she’s a wild animal, that I should let wild be wild.

Now what do I do?

She teeter-tottered then stopped. Teeter-tottered then stopped. Tried to move forward and couldn’t. Heartbroken, I’d let her take her time, hopefully to heal but likely to die. When I returned, I’d find her dead. I’d bury her. I glanced once more.

She hopped.

This is going to be the worst.

She hopped again.

But what if it’s not?!

She flew.

I named her Percy, for Perseverance.

 

-LSM 6/13/19